The emagazine Close Reading Competition is now a well-established fixture in the year. After passages by Edith Wharton, John le Carré and Charles Dickens, Lisa McInerney and Haru Kunzru, this year we’ve chosen an extract from James Joyce’s seminal novel A Portrait of the Artist as Young Man.
Download a copy of the extract here.
This year the competition will be judged by the emagazine editors and Professor Ben Knights.
- Winner: £150 and publication in emagazine.
- Two runners-up: £50 and publication on the emagazine website.
The winner will be announced online and via email on Wednesday 8th May 2019 and in the September issue of emagazine.
Before starting to write your analysis it’s worth reminding yourself of what makes a good critical response. The following points are summarised from the judges’ comments over the last few years.
The best critical writing about texts:
- genuinely explores what you find interesting about the text.
- looks closely at what is special and distinctive about this particular text.
- recognises complexity and doesn’t try to over-simplify... but is also willing to commit to a reading of the text.
- has a clear sense of the text as a whole, with discussion moving between the detail and the bigger picture.
- is written in a clear and simple style.
- explores the text tentatively but doesn’t simply list possible readings – has a clear line of argument.
- shows ownership of, and investment in, the interpretation.
- is focused on what is significant, avoiding micro-analysis or over-interpretation of tiny details.
- is not formulaic (avoiding structuring every paragraph point-evidence-explanation).
- uses technical literary vocabulary accurately and only when relevant, where it genuinely contributes to the analysis.