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Talk, Drama and English: An EMC Teacher Conference

Availability
Places available
Price
£225 per place
Location
EMC, SE1 8QW
Duration
10-3.30pm

SPECIAL OFFER!

  • Book two places on this course and pay for only one (limited places).
  • Apply voucher code CPDcentre_TalkDramaSum26 at checkout.
  • Voucher only valid when two places are booked on this course in the same order.

Conference Overview

Talk and drama are firmly back on the English teaching agenda, following publication of the Curriculum and Assessment Review. This full day teacher conference, featuring keynotes, presentations, workshops and interviews tackles both subject areas in their own right, as well as looking at how they intersect. Join us for an exploration of two areas of the curriculum with the potential to reinvigorate English!

We aim to create a real buzz at our teacher conferences and for that reason are making this a 2-for-1 event. When you book a place, you’ll be sent a voucher that enables you to bring a colleague for free. 

9am: Registration and coffee

9.30am: Welcome

Andrew McCallum, director of the English and Media Centre welcomes you to the conference

9.35am: Keynote talk – Professor Robin Alexander: More than talk? Education as dialogue

‘Dialogic teaching harnesses the power of talk to engage interest, stimulate thinking, advance understanding, expand ideas, build and evaluate arguments … By encouraging students to share their thinking it also helps teachers to diagnose needs, devise learning tasks, enhance understanding, assess progress, and assist students through the challenges they encounter … Dialogic teaching is both talk and more than talk, for it enacts a dialogic stance on knowledge, learning, human relations and education itself.’

In this session Robin Alexander (quoted above) will outline his distinctive approach to classroom talk and position it both as a powerful and proven generic pedagogy for the curriculum as a whole, and, especially when talk becomes the object of learning as well as its means, as an essential ingredient in the teaching of English. 

10.20am: Workshop session 1

  • Option A: Tom Davey: Using drama to get students talking about Shakespeare
  • Option B: Maddie Lynes: Drama in the English classroom
  • Option C: Lauren Cowan: Developing oracy in an English department

11.05am break

11.30am: Workshop session 2 (repeat of workshops above)

  • Option A: Tom Davey: Using drama to get students talking about Shakespeare
  • Option B: Maddie Lynes: Drama in the English classroom
  • Option C: Lauren Cowan: Developing oracy in an English department

12.15am: Panel discussion

Drs Maggie Pitfield, Jane Coles and Theo Bryer

Theo, Jane and Maggie are co-authors of Drama at the Heart of English (2024) and currently the holders of the NATE award for outstanding contribution to research.

1pm: Lunch

1.50pm: Peter Kahn + Caleb Femi

In this interactive session, we will look at a poem by Forward Prize winner Caleb Femi that combines literal, figurative and magical details. From there, we will show a system to develop writing prompts that focus on personal narrative poetry. Participants will write from these prompts and share out in small groups, followed by an ‘open mic’. We will then show ways to build a safe and fun environment for students to stand up and share their personal narrative poems in front of a supportive peer audience. The session will conclude with a reading by Femi, followed by a conversation and Q & A with Peter and him, and a book signing.

3.40pm: Conference ends

How to get to the English and Media Centre, 44 Webber Street, London, SE1 8QW

Once you are on Webber Street, look out for the big gates and a sign saying CLPE. You’ll see EMC’s sign to the right of the entrance.

National Rail:

  • Waterloo and Waterloo East are within 10 minutes walk
  • London Blackfriars is a 10-15 minutes walk

Underground:

  • Southwark on the Jubilee Line
  • Waterloo on the Jubilee, Bakerloo, Waterloo & City and Northern Lines

Buses:

  • The following bus routes go close to Webber Street: 1, 139, 168, 171, 172, 344


This was a brilliant conference. The strategies and information were refreshingly exciting and user friendly. I really liked that they were not the usual strategies but something different and useful in a variety of context. All the presenters were experienced and knowledgeable on what they were presenting and this allowed for ease of understanding on our part.
Lydia Henry-Cross, Chilwell School, Reading and Writing for Pleasure – An EMC Conference (7.6.24 Summer 24)

I thoroughly enjoyed it! It was a great combination of lectures, workshops, meeting novelists and poets, an opportunity to discuss diverse texts that could be used in lesson planning, an opportunity to exchange ideas with other teachers across the country. Refreshments provided were also excellent. It was just a lovely day. It was very intense and well-planned, yet upon leaving some people I spoke to felt like it could have been longer - it was so good. 
Malgorzata Wachowska, Mount House School, Reading and Writing for Pleasure – An EMC Conference (7.6.24 Summer 24)

I had a truly brilliant day. The workshops were practical, useful and engaging. The panel were informed and motivating. I thought the poetry workshop was fantastic. I left buzzing with ideas that I am excited to implement at our school. Iona Frith-Fletcher, Woodmansterne School, English & Inclusion – Putting Students at the Heart of the Subject! An EMC Teacher Conference-with-CPD (11.6.2025 Summer 2025)

Photo of Andrew McCallum

Andrew McCallum

Andrew McCallum is Director of the English and Media Centre. Prior to that he ran a PGCE course in secondary English, and previously he taught for 15 years in London schools, spending most of that time at Acland Burghley School in Camden. He holds a doctorate in education, is author of Creativity and Learning in Secondary English (Routledge) and writes regularly for NATE's Teaching English magazine. If asked to name the EMC publication he's most proud of having worked on, it would be a three-way contest between Iridescent Adolescent, Diverse Shorts and Write On.

Professor Robin Alexander

Robin Alexander is Fellow of Wolfson College at Cambridge University, former Professor of Education at the universities of Leeds, Warwick and York, and a Fellow of the British Academy. During a long career he has taught in schools, colleges and universities and has served on various public bodies and enquiries. His widely-used framework for dialogic teaching led to its successful trial by the Education Endowment Foundation (2014-17) and the book  A Dialogic Teaching Companion (2020). From 2006-12 he directed the Cambridge Primary Review, England’s most comprehensive primary education enquiry since the 1960s (Children, their World, their Education, 2010). He has worked in many other countries, and his five-nation comparative study Culture and Pedagogy (2001) won the 2002 American Educational Research Association Outstanding Book Award. Other books include Learning from Comparing (two volumes, 1999 and 2000), Essays on Pedagogy (2007), Education in Spite of Policy (2022), and – diverging from education – Rhondda Portraits (2024). https://robinalexander.org.uk/

Photo of Peter Kahn

Peter Kahn

Peter Kahn has taught poetry in over 70 schools from Hackney to Lambeth to Walthamstow to Chicago to North and South Carolina and currently in Columbus, Ohio. He created the Spoken Word program at Oak Park and River Forest High School, where he taught for 28 years, with work showcased in Respect the Mic: Celebrating 20 Years of Poetry from a Chicagoland High School (Penguin Young Readers). His students have gone on to be named National Youth Poet Laureate, star on TV and even win an NBA championship. He has appeared on PBS NewsHour, NPR, BBC radio and the docu-series, America to Me

A founding member of Malika’s Poetry Kitchen, he has twice been a commended poet in the Poetry Society’s National Poetry Competition and was runner-up in the 2019 NCTE and Penguin Random House Maya Angelou Teacher Award for Poetry. His debut collection, Little Kings, is published by Nine Arches Press, with poems in the Guardian and Forward Book of Poetry and on The Slowdown.

Peter co-founded the London Teenage Poetry Slam and, as a Visiting Fellow at Goldsmiths, founded the Spoken Word Education Training Programme, teaching Raymond Antrobus and Dean Atta, among others.

Along with Patricia Smith and Ravi Shankar, he edited The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks

He just concluded his fourth year of his creation Schooled on Poetry which has featured Tracy K. Smith, Hanif Abdurraqib, Kwame Alexander, Tim Seibles and Jacqueline Woodson as special guests joining students and teachers.

National Book Award winner Terrance Hayes writes, 'Peter Kahn is the kind of reader of poetry, teacher of poetry, and poet who makes the world easier for other readers, teachers and poets.' 

Peter is the 2024 recipient of the American Writers Museum’s Inspiring Teacher Award.

https://www.poet-educatorpeterkahn.org/

Photo of Jane Coles

Jane Coles

Dr Jane Coles, a former Head of English and Deputy Headteacher, is also an experienced teacher educator and educational researcher. She has published widely on creative literacies, teaching Shakespeare and the relationship between drama and English.

Photo of Maggie Pitfield

Maggie Pitfield

Dr Maggie Pitfield taught English and Drama for many years and held leadership positions in both school and Higher Education settings. Her recent research and publication interests include the contribution that educational drama practices make to the reading of literary texts.

Photo of Theo Bryer

Theo Bryer

Dr Theo Bryer leads the English with Drama PGCE at UCL's IOE and contributes to the MA English Education. Previously, she taught Drama and other subjects in schools and colleges in Birmingham and London for over twenty years. Her research interests include the affordances of role and role-play in relation to cross-curricular learning,

Photo of Lauren Cowan

Lauren Cowan

Lauren is an English teacher and KS5 Coordinator at the lead school in a multi-academy trust in north London. Lauren has previously worked as 2iC and KS3 Coordinator. She has taken a lead role in shaping curriculum, assessment and other department policy, as well as leading school-wide reading and literacy initiatives. 

Photo of Lucy Strike

Lucy Strike

Lucy Strike is a School Development Leader at Alexandra Park School in North London, leading on Teaching and Learning initiatives such as Formative Assessment, Lesson Study and whole school oracy. She has been an English teacher for over 18 years and worked as a Head of English and an Assistant Head Teacher in three different London state comprehensive schools. She has always been passionate about oracy and also worked on a project with School 21 in 2016 and with Voice Camden in 2018.

Photo of Tom Davey

Tom Davey

Tom Davey is the Founder and Artistic Director of Bright Torches, a theatre-based organisation working in partnership with schools and teacher training programmes to support the teaching of English and primary literacy. A RADA-trained actor, Tom spent two years with the Royal Shakespeare Company playing leading roles before turning his focus to the classroom. Through Bright Torches he has worked with thousands of young people, teachers and trainee teachers across primary, secondary and PGCE contexts in the UK and internationally, bringing rehearsal-room practice directly into English lessons. Bright Torches translates professional actor training into practical, adaptable classroom approaches that deepen textual understanding, sharpen analysis and build confident, articulate readers and speakers. Tom is passionate about enabling pupils and teachers to experience Shakespeare as living drama — active, intellectually demanding and grounded in close attention to words, rhythm and meaning.

Photo of Maddie Lynes

Maddie Lynes

Maddie is a writer and English teacher at Waldegrave School in Twickenham. She is passionate about teaching creative writing and encouraging reading for pleasure. This year, she will be running the New Views playwriting programme in association with the National Theatre at her school and is looking forward to seeing the work that her students will produce.

  • Bookings for this course will close at 8am (London, UK) on Wednesday 10th June or when capacity is reached, whichever is the sooner. 
  • This course must be booked online. 
  • To book this course you must be signed into one of the following accounts:
    • UK Trust/Academy – Head Office (purchasing) 
    • UK Educator Admin (purchasing)
    • UK Teacher – Home Address Only
    • UK Private Individual
    • Overseas
  • If you have a UK Educator Standard account you will not be able to book the course. Sign in to your account and add it to your Wishlist. See the list of people able to book courses at your organisation by clicking ‘My Account’, then ‘Our Admin Users’.
  1. Click 'Book now’ (right-hand column).
  2. Add the number of places you need. 
  3. Fill in the names and email addresses of the people attending. To secure your place, please make sure you add the attendee details immediately and checkout within 24 minutes. Otherwise the booking will expire and you will have to begin the process again.
  4. Click submit and then Go to basket.
  5. Checkout. To take advantage of the 2 for 1 offer apply voucher code CPDcentre_TalkDramaSum26. [Voucher only valid when two places are booked on this course in the same order.]
  6. Payment by invoice is only available when signed into a 'UK Trust/Academy – Head Office (purchasing)' or ‘UK Educator Admin User' account. You will not be able to request an invoice if you have one of the short courses in your basket at the same time. These must be paid for in advance.
  7. Once you have booked your place, you will see a screen indicating your order has been successful. You may want to make a note of your order number. The person making the booking and the attendee will receive an automatic acknowledgement of your booking.
  8. When the course has reached viable numbers, this will be indicated on the course page on the website and you may wish to book your transport.

Cancellations and amendments

  • We require at least five working days’ notice of cancellation, otherwise your school will be invoiced for the full amount. However, if you are not able to attend and a colleague would like to take your place, this can be arranged at any time. (Please email [email protected] with the name and email address of the teacher.)
  • We will indicate on the website when the course has reached viable numbers and will definitely run unless there are circumstances beyond our reasonable control. If you have booked your place before this threshold has been reached, we will email you to let you know. Before booking travel you may wish to wait until it has been confirmed on the website or by email that the course has reached viable numbers.
  • If a course does have to be cancelled you will not be charged for the course and will receive a refund if you paid in advance. However, personal arrangements including travel, accommodation or hospitality relating to the course which have been arranged by you or your institution are at your own risk and not refundable by us.
  • Our face-to-face courses are very interactive and cannot be live-streamed.