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emagazine 84
- Forward/emagazine Creative Critics 2019
- Homage and Rupture – Poetry Singing from the Margins
- The House at the End of the Road – Gothic Places in Beloved, Dracula and The Wasp Factory
- Charming Manipulation, Flattery or Intimidation – Noun Phrases in Persuasive Texts
- New Writing From Northern Ireland – More Than the ‘Two Communities’ Narrative
- New Orleans in A Streetcar Named Desire – Its Significance and Symbolism
- Stereotypes and Stigma, Pride and Prejudice – The Social Side of Accents
- Rooms and Views – Antithesis in E.M. Forster’s Novel
- Beyond the ‘bay tree at the gate’ – Ambivalent Pastoralism in Heaney’s Glanmore Sonnets
- Pulling at the Heart-Strings – The Language of Radio 4 Charity Appeals
- Hamlet – ‘Too much of water’
- Jessie Pope – Jingoistic War Poet or Journalist?
- A Room of One’s Own – Sense & Sensibility, Jane Eyre, The Yellow Wallpaper, Room & Mrs Dalloway
- How Do You Use E-Language? – Analysing Data from emagazine Readers
- Milton and the Romantics – Frankenstein and Paradise Lost
- Critical Interpretations of a Nursery Rhyme – Marxist, Ecocritical & Postcolonial
- The Tempest
- News about Prince Harry – Cracking the Code of Media Bias Using Linguistic Theory
- Great Expectations
- What’s Special About Short Stories? (emagplusEXTRA)
- The Whitsun Weddings (emagplus)
- ‘The fair Ophelia’ (emagplus)
- Taking a closer look: the significance of sight and seeing in My Boy Jack (emagplus)
- ‘I got to light out for the territory ahead of the rest’ (emagplus)
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